INNOVATIVE and PROVOCATIVE CINEMATOGRAPHY for your EVENT, LIVESTREAM,
OR CORPORATE VIDEO NEEDS
MILLIRON STUDIOS brings the same industry-disrupting quality to videography outside of our walls with CAPTIVATE NEW YORK.
From single-camera archival to eight camera onsite live streaming events, CAPTIVATE NEW YORK is ready to immortalize the moment.
We're also excited to help demystify the video process.
Think of this like your favorite lunch spot. You can pick from our
chef-prepared video solutions, or you can build your own!
Select your video package from our MENU,
or build your CAPTURE a-la-carte with our
LOCAL (non-commercial) and EXPRESS (commercial) lines.
We film using Blackmagic Cinema Cameras.
Raw footage is captured in high quality braw codec, and undergoes processing for consumer use.
Footage is delivered in Color Corrected and delivered in UHD h264 format within 72 Hours of capture, with rush delivery and editing add-ons available.
When there are multiple cameras or footage sources, you will receive a timecoded Premiere file or XML for you or your editing team to dive right in. Editing packages are also available through MMG Editors Bay.
Alternative delivery codecs are available upon request.
Decoding the Process
CAPTIVATE GLOSSERY
HAND HELD
Camera is hand held with an optically stabilized lens. This allows for in-the-action imagery, but can lead to lost moments if you are looking for long takes. This is the most mobile of options and is great for fast moving set ups and social media b-roll.
MONOPOD
This single pole camera support allows for long takes in static angles, and allows for much faster switching of positions. The footage between positions is not as strong. Great for sitting in a theatre seat and capturing live performance, or for catching the right angle for a speech at a party.
TRIPOD
This is a locked-off position, where an operator can focus on the story telling of framing. Not all venues allow for a tripod as they can be an emergency exit obstruction.
GIMBAL
This system is for "floating" a camera around. Great for stylized content where motion is key to storytelling.
SLIDER
This system is a dolly on rails that goes back and forth autonomously. These sliders are great for giving a sense of movement to unpersoned cameras.
JIB / CRANE
A Crane adds a lot of value in perspective and movement. It takes several personnel to load in, crew, and load out.
DRONE
A remote controlled flying camera! Just be aware that not EVERYWHERE lets you fly - otherwise you'd be seeing these all over the place. Great for large crowds, location establishing shots, in or outdoors!
ZOOM LENS
This is a camera lens that can zoom in or out in order to properly frame a subject no matter the distance. We have zoom lenses that are as wide as 11mm and as long as 600mm (measurements referring to the field of view).
PRIME LENS
These lenses are optimized at specific focal lengths (how zoomed in the picture is), and are the choice option for more cinematic looks - which includes things like subject separation from background, and more pleasing characteristics in the overall image.
HAND HELD
Camera is hand held with an optically stabilized lens. This allows for in-the-action imagery, but can lead to lost moments if you are looking for long takes. This is the most mobile of options and is great for fast moving set ups and social media b-roll.
VIDEO MENU
Common orders that cover your basic videography food groups! And take a look at the starred builds for cinematographer Tyler Milliron's tricks to capturing dynamic products with limited time and resources.
All time quotes include 30 minutes load in and 30 minutes load out.
Jack in the Back
$700 for 2 Hours
A Single (1) Wide Angle or Active Zooming shot pointed towards the main event or performance.
Camera will record in 4k, and has stereo reference microphones.
A second audio source may be recorded via the camera if it is provided by the location or client.
1 Camera | No Lighting | Reference Audio | Color Correction | No Editing
Pepper Jack
$1200 for 2 Hours
A Single (1) Wide Angle Shot and a Single (1) Active Zooming shot pointed towards the main event or performance.
Cameras will record in 4k, and each have stereo reference microphones.
A second audio source may be recorded via the camera if it is provided by the location or client.
2 Cameras | No Lighting | Reference Audio | Color Correction | Basic Edit
Transfer to the Local
$2000 for 2 Hours
One of our lead cinematographers with a premium cinema camera captures lead content, with a second camera and operator providing B-Roll. event or performance.
This includes a bonus Sound Kit and Basic Light Package!
2 Cameras | Some Lighting | Lav + Boom or handheld | Color Correction | Sync Delivery
LOCAL LINES - $200
"LOCAL LINES" are for your non-commercial needs.
These Single Operator offerings can cover
events, concerts, red carpet, interviews, parties, and more.
The base fee is a flat $200, with camera / operator combos available below.
Combine lines to build your own crew!
Combine
Up to 8 simultaneous cameras.
Booking is on a first come first serve basis.
CREW
CREW
ADD-ON
CAMERA
LIGHTS AND SOUND
ONE CAMERA ARCHIVAL
- HAND HELD / MONOPOD
- 4K CAMERA WITH ZOOM LENS
+ $250/hr
ONE CAMERA ARCHIVAL
- TRIPOD
- 4K CAMERA WITH ZOOM LENS
+ $250/hr
ONE CAMERA ARCHIVAL
- 3-AXIS GIMBAL
- 4K CAMERA WITH ZOOM LENS
+ $300/hr
ONE CAMERA - WIDESHOT
- WIDE SHOT ON TRIPOD
- 4K CAMERA
+ $100/hr
ONE CAMERA - SLIDER
- AUTONOMOUS SLIDER
- 4K CAMERA
+ $150/hr
LIGHTING - INTERVIEW
- KEY LIGHT + FILL LIGHT + HAIR LIGHT
- SOFT BOX MODIFIERS
- ONE PERSON SETUP
+ $50/hr
SOUND - INTERVIEW
+ $50/hr
- Pick Two: Lav Mic / Boom Mic / Hand Held
- Field Mixer
SOUND - LIVE
+ $75/hr
- Three Mic Array for Non-Amplified Presentations
- AKG 414 XLII + 2 CAD
EXPRESS LINES - $500
"EXPRESS LINES" are for commercial use videos.
These Single Operator offerings use our premium cinema equipment, and are ideal for Brand supporting content.
The base fee is a flat $500, with
camera / operator combos available below.
Combine lines to build your own crew!
2 Hour minimum for EXPRESS bookings.
CREW
ADD-ON
CAMERA
ONE CAMERA CINEMA
- URSA MINI PRO G2
- TOKINA CINEMA VISTA PRIME
- TRIPOD AND HANDHELD
ONE CAMERA CINEMA
- 3 - AXIS GIMBAL
- 6K CAMERA
- TOKINA ATX ZOOM
ONE CAMERA 10' Jib
- MOTORIZED PAN TILT HEAD
- 6K CAMERA
- TOKINA ATX ZOOM
ONE CAMERA - WIDESHOT
- WIDE SHOT ON TRIPOD
- CINEMATIC CAMERA / 6K CAM
- TOKINA CINEMA VISTA PRIME
ONE CAMERA - SLIDER
- AUTONOMOUS SLIDER
- CINEMATIC CAMERA / 6K CAM
- TOKINA CINEMA VISTA PRIME